Thursday, July 16, 2015

Speak No Evil (Wayne Shorter, 1964)


Jazz has taken a (completely random!) vacation from the blog, so dialing up Wayne Shorter proved to be a nice change of pace this week. Although this is the only album of his I have with his name at the top, I've been combing through the archives to familiarize myself with his other work.

Outside this album, most of what I've known about Shorter is that he was in the second great Miles Davis Quintet and some related Davis album, and was a founding member of Weather Report. In my recent attempt to scoop up the greatest 100 or so jazz albums, Speak No Evil, probably Shorter's best-known work as a leader, joined my collective.

This album was recorded right around the time Shorter joined the Davis quintet and along for the ride are his quintet friends Herbie Hancock and Ron Carter. Since Miles wasn't doing a lot of sideman gigs in the 1960's, Freddie Hubbard joins here on trumpet, while Elvin Jones handles drums (on loan from Trane, I suppose). Tony Williams was probably having too much fun messing around with weirdos like Dolphy and Andrew Hill to make an appearance.

As for the music, far be it from me to play the role of super-critic, but it's a little bit on the frosty side. Musically, it is far removed from Shorter's hard bop beginnings, but doesn't really give any indication of where Shorter would ultimately be in just a few short years. While there is a fair measure of freedom in the solos, it's within a pretty tight structure, with all of the pieces sporting clear beginnings and endings, hardly free jazz territory of later work. Maybe it's just the titles, but they seem to be drawn from nightmares: "Dance Cadaverous" and "Witch Hunt" in particular.

As is the case with all of the quintet members except Carter (who had no albums of his own during this period), the album was released on Blue Note. Lately I've found it interesting how a smaller, more "pure" jazz label handle the sidemen projects, while Davis was comfortably with the larger, yet not as jazz-inclined Columbia.

Fun fact: Until 2004, this album enjoyed the rare distinction of sporting all still-living musicians. RIP Elvin Jones and Freddie Hubbard!

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